I am a lucky painter. When I was three years old, I fell into a big river, but survived. I studied Madrid Realism in Spain, and a decade later I turned to abstract painting, and I will continue to bring paintings that will bring healing and good luck to many people.
Dear all I am a lucky painter. When I was three years old, I fell into a big river, but survived. And I am a professional interviewer who changed jobs 23 times and met many good people. I studied Madrid Realism in Spain, and after more than a decade, I got into abstract painting, and I will continue to bring paintings that can heal and bring good luck to many people.
I was born in the peaceful town of Inaka, Asahi City (formerly Higata Town), Chiba Prefecture, where I lived until I graduated from high school. He was a member of the baseball team until high school. I love baseball so much that I intend to play on the field even when I become an old man. After graduating from high school, I spent five years as a working adult and used the money I saved to go to Spain by myself to study art for about a year & to sightsee art in Paris and Switzerland.
One day, however, I saw a painting by Hiro Yamagata called ‘Perrier’ at a general store and was so struck by it that I stood there for about 20 minutes looking at it, immobile and upright, as if I was in bondage. Painting had been my forte since I was a child, so from that moment on I started aiming to become a painter and went west with the same momentum.
At the age of 23, I studied art in Madrid, Spain. I met various artists and was strongly influenced by Madrid Realism. During my life with art with a long history, I met people of my generation who aspired to become painters and painters who were already working professionally. Every day I had the best encounters, including those I met at my part-time job in a Japanese restaurant. In the midst of all this, I was still wondering ‘What can I do with my paintings? I still remember worrying about what I could do with my paintings every day.
It was a great experience to learn about art, culture and the unique atmosphere of Madrid for about a year (the siestas were comfortable).
Based on realism, in my 20s and 30s I sought my own expression, and in my 40s I started to change to abstract painting. The time I spend drawing without thinking is like doing sutra chanting.
I want to create a lot of expressions that make viewers and buyers feel happy and that interest people who are not interested in art.
